How to Find an Acting Agent | Acting Advice

How to Find an Acting Agent

I have an agent. Just. So of course I can write confidently on this topic (that weird emoji with the flushed cheeks). As I write some of these articles I tremble with a veritable sense of self-doubt and illegitimacy, this one more than most. It is such an elusive question that really I have no authority to speak about, however, aware of the audacity of writing such a piece, and cosseted by my pseudonym, I shall proceed. Here are some thoughts on how to find an acting agent.

Updated 31 May 2021

This article was first written in 2014, but I loved the introduction I wrote so much that I decided to leave it. However, after 7 years of intense acting teaching, writing more than 500 articles on acting, and 6 years of being a professional actor, I am not quite as self-deprecating as I once was. So, I can now confidently say that the advice from younger me was actually pretty spot on. With a few tweaks and updates, here are my thoughts on getting an acting agent:

With the Help of Drama School …

Drama School Showcase

This is perhaps a superfluous point. If you are at drama school, you are all too aware of this impending event and, if you are not, you are at least three years away from this ordeal, garishly titled ‘showcase’.

Nevertheless, a drama school showcase involves distilling a three-year intensive training course into about two minutes on a stage, performing to, in varying degrees, a share of the acting industry, namely, acting agents.


guildhall school of music and drama

This is one of the draw cards of acting schools and it is where I found my agent. For all my mixed feelings about this cattle-call-like selling of young actors, it is a great way to find an agent. If you go to one of the reputable acting schools in your country, it is likely that you will find an agent at your showcase, although that likelihood is diminishing year by year. So get a move on!

If your showcase fails you and you have arrived at an acting article suitably named ‘how to find an acting agent’, proceed below. Although your drama school training may help you immensely, you are now on your own.

Without Drama School …

There are some basic bits of housekeeping that you need to sort out before you begin this journey toward finding an agent. They include your:


Have a headshot taken: Natural, simple and something that actually resembles you. There are plenty of great headshot photographers around. Find someone who is well recommended and seems easy to get along with. Being comfortable is the key to taking a good headshot. Ideally pick one of the major photographers in your city that you know will give you headshots to a standard that will pique an agent’s attention.

More on headshots

Showreel/Demo Reel

An agent is going to want to see you on screen. That is the nature of modern industry. If you have limited money, record something at home or with a friend (the friend with the best camera) and make sure that the acting is good. I know of many actors who have landed agents, and great agents at that, on the back of home-made self-tests.

Pay for a showreel. This is a slightly roguish industry. Taking money from eager actors is very easy. So make sure you get your show reel made with a reliable company and for a fair price. I can’t help you there, but don’t get ripped off. For more information, check out our guide about how to film a good show reel.

Make your own. The other option if you have some budget and a bit of hustle is to go and shoot your own showreel. Get some filmmaker friends, pick a simple scene in a basic location like a park bench and shoot something. You can easily create something as good as a professional reel if you have the right group of creatives.

Some of you might be thinking: what about a conventional reel that is a compilation of all your acting work? Well, yes, that would be awesome. However, most actors don’t have enough footage, or quality footage, to create an effective reel. If you have done a bunch of student films, chances are the quality of work is pretty low. Generally, I find most reels like this from actors who are still trying to break into the industry very amateur. It’s not their fault but the production quality and often the writing brings down the standard.

However, if you are a professional actor with some great clips then definitely put together a conventional reel which is a complication of scenes from your professional work.

Voice reel

A voice reel isn’t essential. If you are keen on pursuing voice work, then by all means go ahead, but agents place very little weight on a voice reel when considering taking on new clients, so spend your money elsewhere for now.

For more on what makes a great voice reel. 

Two Options to Land Your Agent

Okay, so you’re ready to go. As far as I’m aware, you have the following two options in your hunt for an agent: make your own showcase or send around a promotional pack.

Make your own showcase

The first way to do this is to become part of a play and make sure it’s a good play. A three-hour theatrical exploration of an egg and its significance on post-modern art is not ideal (although I would definitely go along to that).

Also, make sure that you have a great part. It doesn’t need to be the lead role, but it needs to showcase your ability as an actor. Playing the torchbearer is unlikely to get you an agent, irrespective of how rich your character’s inner world might be.

If you feel confident in the production and your acting, invite some agents along. Make the invitation personal and, of course, give them free tickets. It can be hard to entice them along, but, if they do come along, you’re in the hands of the acting gods. Let’s hope they are feeling generous!

The other alternative is to take part in a prestigious masterclass. Often, masterclasses, such as the Larry Moss one, are audited by the industry, including agents. This technique worries me a great deal, as you should be taking part in a masterclass to improve your craft, not to surreptitiously find an agent, but, hey, if you can kill two birds with one stone, murder away!

Finally, you could do the same thing with any screen success. For instance, if you get a film into a festival you could invite some agents along to the premiere. It is usually easier to get agents along to theatre shows as they are often going to see work, but this is definitely a solid alternative if you are in a great film production.

Send Around a Promotional Pack

*Large sigh* This is unlikely to work, but might be your only option.

Agents get bombarded with showreels and emails, and even working actors struggle using this technique.

One agent told me they get nearly 150 representation requests a month!

You need to find a way to stand out from the plethora of acting wannabes, but you also want to be professional. My advice is to use email. Write a clear email, with a simple link to your reel, and include easy to download attachments for your headshots. Make the email personal, but professional. Please don’t sound desperate! Desperation leaps off the page. Cold contacting in any field is hard, so don’t beat yourself up if you are unsuccessful.

Remember this first cold email is often just a starting point to touch base and will hopefully lead to a meeting with an agent or future communication.

ari gold

Onward Is Upward

You have quite a journey ahead.

The way to not become disheartened and embittered is to always keep your focus on the craft of acting. All of the other factors are important, but your acting is at the forefront. Don’t allow yourself to be disempowered by the industry. It is capricious, sometimes shallow, and out of your control, so embrace that and focus on continually moving forward. It will be easy for some and a treacherous struggle for others. Roll the dice.

Need a little more help? Check out our monthly acting coaching.

About the Author

Andrew Hearle

is the founder and CEO of He trained at the prestigious Western Australian Academy of Performing Arts (WAAPA), and has worked professionally across film, TV and theatre. He is one of the most in-demand acting and voice-over coaches working in the industry, and the head coach of StageMilk Drama Club.

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